Sequence of the Upanishads
There is a purpose or system in the sequence of the 108 major Upanishads laid
down in the Muktika Upanishad. It is not generally recognised by modern scholars
because it accords neither with the sections of the Vedas to which the various
Upanishads belong nor with their chronological order. For instance, the first
listed, the Ishavasya, belongs to the Yajur Veda, the second, the Kena, to the
Sama, the third, the Katha, again to the Yajur, while the fourth and fifth, the
Prasna and Mundaka, both belong to the Atharvana. Or, to take the question of
chronology, the Brihadaranyaka, which is considered to be the oldest of all, is
placed tenth on the list. Nevertheless there is meaning in the sequence and I
wish to indicate it briefly here.
Indeed, it should be
obvious that their belonging to different Vedas and different periods does not
prevent a continuity of purpose running through them, as traditionally arranged,
any more than the difference in age and provenance of the stones in a necklace
prevents it from having a composite, harmonious beauty.
According
to the Muktika Upanishad (and this is generally accepted by scholars), there are
in all 1180 upanishads, one for each branch of the four Vedas: that is 21 for
the Rig Veda, 109 for the Yajur, 1000 for the Sama and 50 for the Atharvana. Out
of these, however, only 108 are listed in the Muktika as being the essence of
the Upanishads. This list also is generally accepted, though not its sequence.
The further division by the Muktika of these 108 into ten more important and 98
less important is also generally accepted. It has indeed been greatly strengthened
by the fact that Shankara chose these ten to write commentaries on.
No Upanishad except the Muktika mentions any other by name. The Muktika, in giving
a list of the 108, places itself last, and we may surmise that it was the latest
written from its being able to give the list at all. Furthermore, it defines the
purpose in studying the Upanishads in the words of Sri Rama to his disciple Maruti
as being to escape from the miseries of earthly life and attain Mukti.
Students would be well advised to study the Muktika first as an introduction to
the others and then to go through them one by one in the order there laid down.
What is not explained in one is clarified in the following. True, all of them
deal with Brahman and samsara in a general way, but each has a different approach.
Students who confine themselves to puzzling over individual mantras in each separate
Upanishad are like the traveller who can't see the wood for trees; they should
also read them through as a continuous whole in the prescribed order.
The Mandukya, the 6th, is the real nucleus. The first five are meant to prepare
the mind of the seeker and to build up a proper background for it. The first floor
of the edifice is started with the seventh, the Taittireya, and roofed with the
tenth, the Brihadaranyaka. Then the 11th to 32nd complete the second storey of
the edifice. The remainder complete the entire building and the garden in which
it stands.
To be more precise: the Ishavasya, the first of
all, welcomes the student on his own level. It says in effect, as a loving mother
might to her son, "Your troubles are of your own making. Everything in the
entire universe is pervaded and controlled by the Lord (Isha). Of course you have
a right to a full span of life and should try to safeguard your right, but do
give up greed. Be content with what comes to you and what the Lord gives you and
don't try to grab what is given to others. Grabbing only increases your troubles.
Greed is at the root of them. Naturally, if you grab you will have to suffer",
and so on. It then proceeds to explain how all-embracing is the power of the Lord
and how we cannot escape if we transgress the rules. No other Upanishad gives
this initial and essential advice.
The seeker's interest is
thus awakened and in the second Upanishad, the Kena, he asks: "Who is this
Lord? Is it due to Him that we breathe, think, talk and live? Do the sun, moon
and stars rise and set due to Him? Is it He who makes the wind blow and the fire
burn?" "Yes, of course," he is told.
While in
the Isha the Lord is referred to impersonally as That (Tat), the term Brahma (That
Great) is now introduced. Further, the seeker is recommended to learn the Vedas
and Upanishads, these words being brought in for the first time. He is assured
that if he lives light, without grasping, not only will he himself be happy but
all around will esteem him (samvachhanti). It is emphasised that renunciation
of greed, and knowledge of the Lord are to be achieved here and now, in this lifetime.
If they are not, a great opportunity will have been lost. So the seeker is brought
to ask to be taught the Upanishads.
This is followed by the
Katha with its interesting story of death and what comes after, in order to impress
upon the seeker that not even by death can he escape the repercussions of his
misdeeds in this life. He is told that the only escape from his troubles is by
seeking the Lord and behaving in a way that will please Him. To reap the fruit
of right conduct, he is told, is better than possessing all the world's wealth.
What is right should be chosen in preference to what is pleasing. So he should
follow the injunctions of the Vedas sincerely and give his full attention to what
follows.
Having dealt with the seeker as an individual, the
Upanishads now digress in the Prasna to a consideration of the universe, its origin
and development, emergence and dissolution. The Sage explains to his six disciples,
who seem to symbolise the six seasons, how the cycle moves. Significantly, he
asks them to stay in his ashram for a full year, the annual cycle. The seeker
is here made aware of his place in the cosmic cycle, of his birth and development
and the inevitability of his living in the world and coming to terms with his
environment.
The Mundaka then follows, explaining the sole
effective source of knowledge and the distinction between vidya and avidya, knowledge
and ignorance. It points out the practical means of attaining the goal. In this
Upanishad is explained how the boundless multiplicity of the world springs from
a single basis, the universal Suvarnam or 'golden dust' which, by its endless
permutations and combinations, produces the world of appearances and qualities,
including life and motivation. This Upanishad cautions the seeker that it is only
by the Grace of the Lord that we can hope to find Him and escape falling into
materialism.
And now the Mandukya, the great sixth, which,
though short, explains effectively how both the macrocosm and microcosm emerge
from the single basic essence and are dissolved again into it. It shows the seeker
how unreal his own worldly pleasures and pains are and how they disappear when
he realizes the Infinite in himself.
Just as the thread of
a single unfolding purpose has been traced briefly through the first six Upanishads
read in the traditional order, so the earnest seeker will find it continuing through
those that follow. Let him therefore study them as one continuous whole, remembering
that the purpose of the entire sequence is to lead him "from the unreal to
the Real, from darkness to Light, from death to Immortality."