Children and Violence vs Nudity
Which scene may be is Society more invested in protecting
children and young teens
|
Bad For Your Brain
|
For decades, scientists have studied the effects of TV but mainly focusing on watching if violence on TV connects with real life violence. In the present, much of today's TV programming is violent. Viewing of TV violence by children causes aggressiveness. In fact, a single TV program being watched may increase aggressiveness. There are three major effects on children seeing violence on TV which are:
An interesting fact is that the average American child will have watched
over 100,000 acts of violence on TV by the time he/she is 13 years old.
Parents are often working and children have a lot of unsupervised time.
Researchers have found that children's TV shows have approximately 20
violent acts per hour. They found many differences between children who
watch violent shows and children who watch non-violent shows. The children
who watch violent shows argue or disobey and are considered less willing
to wait for things than the ones who watch the non-violent shows. In order to determine the effects of TV violence, one needs took look at the research that has been done. Though it may be difficult to offer definitive answers, in the last three years alone, there have been four widely publicized studies on the effects of violence on television, each looking at a different aspect. One of the studies was conducted by four universities and financed by the cable industry. It found that of nearly 2,700 shows analyzed in a 20 week survey of 23 channels, 57% were said to contain at least some violence (Zoglin, "Chips" 58). However, the names of the channels were not mentioned and it should be pointed out that many cable systems now have over 100 channels. Another study was done in 1995 by UCLA which was financed by the networks. It found "promising signs" that levels of network violence are declining (Zoglin, "Chips" 58). In a third study about TV violence, L. Rowel Huesmann and Leonard Eron surveyed every 8 year old in a typical American city in 1960. It did follow up studies with the same subjects in 1971, 1981 and 1994. They found some shocking results. "The correlation between violence-viewing at age 8 and how aggressive the individual was at 19 was higher than the correlation between watching violence at age 8 and behaving aggressively at age 8" says Eron (Mortimer 17). Eron estimates that TV is responsible for only 10 percent of the violent behavior in this country. "But," he says, "If we could reduce violence by 10 percent, that would be a great achievement" (Mortimer 19). The
fourth study showing the effects of TV violence conducted was The
National Television
Violence Study. A broad coalition
of researchers,
media executives and mental health experts from several universities,
including the University of Texas, the University of North Carolina and
the University of California at Santa Barbara, took part in the study,
which was assembled by Mediascope, a nonprofit organization hired by
the National Cable Television Association in 1995 (Carter C11). It billed
itself as the "most thorough scientific survey of violence ever
undertaken." The study made some damning observations about the
way violence is presented. According to the survey, 47% of the violent
acts shown resulted in no observable harm to the victim; only 16% of
violent shows contained a message about the long term negative repercussions
of violence; and in a whopping 73% of all violent scenes, the perpetrator
went unpunished (Zoglin, "Chips" 60). These figures, however,
were based on some excessively strict guidelines. Unlike some earlier
studies, comic injuries were not considered violence. Kramer hitting
his head on a door on Seinfield and accident prone Tim Taylor on Home
Improvement were not considered violent. Also in the survey, perpetrators
of violence must be punished in the same scene as the violent act. By
that measure, most of Shakespeare’s tragedies would be frowned
upon; Macbeth, after all, does not get his comeuppance until the end
of the play. |
Cathode Radiation Quite simply children are oblivious to nudity. Adolescents are normally
just amused. There has to be associated threatening behaviour for it to
be a problem. Violence vs. Nudity
|
|
|
|
|||||||||
Which scene may be More Disturbing to children?
|
|||||||||||
The results of the study are reported in the December issue of the Journal of Experimental Psychology. "I can say," concluded Bushman, "that the negative effects of television violence on memory for commercial messages can be partly due to the anger induced by the violent content. This is not good for advertisers because in the time they hope viewers are absorbing their commercial messages, viewers may actually be trying to calm their anger brought on by what they just watched." commercials. | |||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
It gets better
- or worse -(BrainDead) pro-family and women's groups are urging a boycott
of Dove products for exposing
children to adult nudity. |
|||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
Is This social
engineering in direct practice. Did anyone really think the BB? was a
nice, family orientated institution? TV soap broadcasters
want us to fight, argue, get drunk, sleep around, and to shout at each
other as oppose to calmly talking, because it takes our eye firmly off
the ball of reality. Unknown |
|||||||||||
Which scene may be More hazardous to children? |
|||||||||||
Culture is permeated with activities which glorify blood and violence. From the movies we watch, to the books we read, to the nightly news, blood and violence are everywhere.Three of the bloodiest sports: rugby, hockey, and boxing, have long been male-dominated. The recent fight for gender equality in the athletic realm has challenged male power, especially in the most violent arenas. | |||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
The Social Engineer is not cocky, he is invisible. The art of misconception lies with remaining undetected during obvious deception. The Social Engineer will be below the radar and above it. Don't follow the crowd, hide in it, control it. | |||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
there can be a violent movie on tv where women are being beaten up, or killed. then Fashion File or something comes on and theres this viewer discretion warning. god forbid, you might be exposed to something beautiful. | |||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
Manipulation, objectification, and control are the fundamentals of Social Engineering. You must have developed some form of gross manipulation in order to effectively engineer a situation. The players (manipulated) must all be encouraged to play their roles (verbal, psychological) for the situation to be properly coaxed into the reality desired. Every aspect, including the radical of independent thought, must be accounted for and controlled. Provocation, whether passive or direct, has to be enacted upon all of the players independently and collectively. | |||||||||||
Which scene
may be More hazardous to children? |
|||||||||||
Some would argue that sex is one of the oldest social engineering ploys to deceive someone into doing something they normally wouldn't do. | |||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
If
you had to choose between letting your 5 year-old child watch a two minute
nude scene involving a man and a woman, or a
two minute graphic scene watching a woman get stabbed to death by a man,
which would you choose?
|
|||||||||||
Which scene may be More hazardous
to children? |
|||||||||||
To manipulate ones thoughts, one must first understand the paths that the thoughts take in response to certain stimuli. Whether it is verbal or physical, these thought paths must be determined and understood in order to be changed, or manipulated. Knowing what your prey is thinking, has thought, or has been taught to think and respond will aid you in changing their perception and rolling along in the proper direction. Understanding that the unknown often brings fear, comfort and discomfort and the ability to create those emotions is absolutely key when engineering a situation |
And then there's Religion But When God Sanctions
Violence, the People Listen ,
|